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Avion en papier

Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.

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By this I mean that we will no longer have a closed system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it must be the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.

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Kent du Avion En Papier Qui Vole Bien Et Longtemps Et Loin Pre has done such work with Symmetric figures such as stars from which flowers can be folded. Irregular figures have made an appearance occasionally, nevertheless the most extreme form only occurs in Paper Magic with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course closely related to paper slicing. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive thickness. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of Origami Heart very early Japanese Origami.

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Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve ears or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the thighs. Rohm folded his Festival pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities Fabriquer Un Bateau En Papier Maché and the other to avoid the complexities of a model achieved exclusively by folding.

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The cutting out of holes and so forth. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and plainly here we have an open-ended Talent. Supporting A way

of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its most basic form we might use glue, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or cards. The most unusual form of 'display mechanics' that I actually am acquainted with is by Toyoaki Kawai.

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Within a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling It is now usual in animal folds to call for a final modelling particularly if foil has recently been used and

one can make certain of the substance remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modelling following the folding The thought of wetting the paper is apparently Japanese in origin was demonstrated by Yoshizawa at a Convention in Birmingham. Another method of moist moulding using paste in the preparation is discussed by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The folds up tend to be gentle and that we are approaching figurine rather than Origami.

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Origami Crane Necklace
Within the most extreme combos of water and paper we are, of course , in the world of papier-mache which is obviously an open-ended art. DecoratingThe easiest step from the single coloring is one side coloured and one white or plain. A great offer of modern Origami uses this colour difference. The delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. Pliage Bateau En Papier Video A more restricted form of decoration occurs in Japanese papers which are already printed with a design suited to a unique model. The end of this process is evidently the decoration of the ultimate model and so into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then ribbon and finally string.

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The associated arts are Weaving and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded Bateau De Papier Pliage together but usually opened at the finish to show the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer strategy is exploited for the own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of papers each folded to represent some part of the creature and then brought with each other. The idea may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have appeared for folding a monster from a amount of pieces of different sizes.